Mohamed Touri Theater: the full story and practical facts

Quick facts

• Name: Mohamed Touri Theater.
  
• City: Blida, Algeria.
  
• Capacity: about 430–435 seats.
  
• Major rehabilitation completed and reopened in 2025. (Horizons)
  
• Main owner: the APC (municipal authority) of Blida. (A3D)
  

Why this theatre matters

First, it is a local landmark.
Second, it carries cultural memory.
Mohamed Touri was a pioneer of Algerian comedy. He shaped theatre in Blida and across Algeria. 

Mohamed Touri Theater: a short history

The building dates from the colonial era. It served as a theatre and a cinema. Over decades it hosted plays and films. In the 1980s, the stage was enlarged and its layout changed. (Le Courrier d’Algérie)

However, the hall fell into decay in later years. The roof and interior were damaged. The theatre was closed for more than fifteen years.

Rehabilitation and reopening

A rehabilitation project was launched in the late 2010s. Works included roof repair, restoration of decoration, and technical upgrades. The APC of Blida supervised the project. 

More than 20 billion centimes were allocated for the project. New lighting and sound systems were installed. The hall was officially reopened to the public in early 2025. 

Programming and current use

Since reopening, activities have been restarted. However, programming remains irregular. Local critics say the space is under-used despite the investment. Therefore, more regular shows are still needed. (El watan)

Design, capacity and visitor experience

The theatre keeps much of its historic character. Seating is intimate, with roughly 430 seats available. Acoustic improvements were added during restoration. Expect classic stage sightlines and modern technical gear. 

Mohamed Touri — the artist behind the name

Mohamed Touri (real name Mohamed Besnassi) was born in Blida in 1914. He became known for comic plays and songs. He worked in theatre troupes and in film. His art mixed humor and social critique. The theatre bears his name as an homage.

Visiting tips

• Check event calendars before you go. Programming is not always frequent. (El watan)
  
• Arrive early on show nights. Seating is limited.
  
• Street parking can be tight near Place du 1er Novembre.
  
• Bring a camera for the building’s façade, but ask before photographing inside.
  

How the theatre can regain its role

Local groups could be invited to co-produce shows. Schools and universities can hold cultural days. Regular programming will revive public interest. Moreover, partnerships with national festivals would help.